This review was also posted on ArtFist.org
Though my wife probably doesn't believe me, I did actually mean to tell her about this film before she randomly saw an advert for it. I'd heard about it a while ago with critics’ early opinions being pretty positive, and combined with the fact that it was directed by Steven Soderbergh, it sounded interesting to me. So when my wife demanded to be taken to see it, I didn't feel like it would be too much of a hardship for me to go along. I'd recently made her sit through Prometheus, so I owed her a movie choice anyway and I didn't think it could be much worse than that...
That said, it was quite a strange experience to see the theatre slowly fill up with women, I can't think of another film I've seen with a similar audience ratio. I wasn't the only guy in there, but there were only a couple more and they looked a lot more miserable about the prospect than me. However, being on the back row right under a spotlight I guess I stood out. "Oh my God there's a man in here! I feel so sorry for you mate!" came a cry from someone finding their seat in front of me. All I could do was chuckle to myself and give a wave of thanks for the sympathy. I did wonder whether the crowd would get a bit rowdy as there was a loud shout of "Oh Yeah!" down to my left the first time Channing Tatum's ass appeared on screen, but for the most part it settled down.
It struck me that one of the characters you meet early on worked quite well as a way for men to get into the film. Adam/'The Kid' (Alex Pettyfer) is thrown into the world of these strippers quite unexpectedly and his initial reactions are probably similar to any men in the audience. There is a lot of comedy in these early scenes, as long as the whole situation doesn't just make you feel awkward. What I found the funniest section in the entire film might make some people just want to curl up into a ball and cover their eyes (the same effect that The Office and Alan Partridge often have on me).
The movie as a whole is more focused on the title role of 'Magic' Mike (Tatum) than Adam's story. In fact, I was quite surprised that there was very little attention paid to Adam "learning the ropes", which was pretty much handled in one scene - very different from something like The Full Monty, where the preparation for their first performance is the entire film. Mike is a mentor to him in a more general sense and also just a friend, with their relationship becoming strained as Adam is drawn into more destructive aspects of the stripper's lifestyles. It's that question of where you draw the line when trying to look out for someone and at the same time let them make their own decisions.
Mike's own story is a familiar one, both in terms of having a dream that he would give up stripping for and also issues that you hear people struggle with in the real world right now. He works non-stop to save up money and runs into problems trying to get any kind of loan from a bank. It quickly becomes obvious that his life is not perfect and you question whether he really fits in to the world of stripping. Tatum's performance is great, which I probably wouldn't have expected before seeing 21 Jump Street earlier in the year. I particularly liked how he struggles and stumbles over what he's trying to say in one scene, which came across as completely natural and believable when it could well have turned out disastrous. In fact the response to this bit of dialogue feels much more scripted and kind of takes you out of the moment, reminding you that you're just watching a film.
As for the actual stripping routines, they are generally not too explicit and didn't make me feel uncomfortable. A lot of the dances are pretty cheesy and even my wife admitted that most of them didn't do much for her, it was more the confidence that all of the dancers have that makes them attractive. I would say there is one routine that almost anyone could appreciate though, especially if you are a fan of groups like Diversity, which is set to Calypso by Excision & Datsik.
If I had any complaints it would be that the ending doesn't feel all that satisfying, I'm not sure whether that is down to it aiming to be realistic or to leave things open for a sequel. But because 'The Kid' doesn't really learn anything from the whole experience, you are left with the impression that he could just continue on his downward spiral. Overall I would say that men shouldn't be scared to go and see this film though. It tells an interesting, believable story, with a good mixture of humour and drama. You just might want to avoid peak times...
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